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于 1998 年出生于浙江台州，创作主要以综合材料绘画为主。2020年本科毕业于四川音乐学院成都美术学院，2023 年研究生毕业于温州大学美术与设计学院。她对媒介定义上的界限保持怀疑，并用不同类型的实践对此发问，运用硫酸纸作为基底，将各种油媒介以及碳粉进行混合尝试，形成自我联系、动态的肌质，像炼金术士尝试化金属为黄金，将工作方式不断内化，把情感转化成直觉的可视形式，最终成为一种救世价值的过程。她的绘画主题众生相在她眼里成为一种异化的符号本能，通过对于固定形象的意义进行变异并加以解构，创造出一种让人不安的现象;拿捏、措置、重组、分解、扭曲、抽离，从而赋予作品在更为复杂多意的层面上，完成一种对审美趣味的质疑与重新解释，重新勘测已有的生活和艺术体验，进而探索人的隐秘感知与现实境况的交集之处。许瀚尹作品中所表现的双重性不仅标志着自我与他者之间永远共存的二元对立，也标志着心灵与物质、心灵与身体以及人与自然之间的哲学性关联。
Born in Taizhou, Zhejiang Province in 1998, she mainly works with comprehensive materials. In 2020, she graduated from Chengdu Academy of Fine Arts, Sichuan Conservatory of Music, and in 2023, she graduated from School of Fine Arts and Design, Wenzhou University. She is skeptical of the boundaries of the definition of media and questions it with different types of practice, using sulphate paper as a base, mixing various oil media and toner to form a self-related, dynamic muscle, like the alchemist trying to turn metal into gold, internalizing the way of working, transforming emotions into visual forms of intuition. Eventually it becomes a process of salvation value. In her eyes, the diversity of subjects in her paintings becomes an alienated symbolic instinct, which creates a disturbing phenomenon through the mutation and deconstruction of the meaning of fixed images. Grasp, handle, recombine, break down, distort and pull away, so as to give the work a more complex and multi-meaning level, complete a kind of questioning and reinterpretation of aesthetic taste, re-survey the existing life and art experience, and then explore the intersection of people's hidden perception and the real situation. The duality expressed in Xu Hanyin's works not only marks the eternal coexistence of duality between self and others, but also marks the philosophical connection between mind and matter, mind and body, and man and nature.