HOME
ABOUT
WORKS
Painting
Oil Painting
Sketch Works
Multi medium
painting
Visual Media
Video art
Performance
EXHIBITIONS
Articles
中文
English
Interviews
CONTACT
Red residue plan
2021
形式:行为录像
材料:碗、口红、喷壶、钢丝球、水、凳子、手套
过程:
用口红碾成液体状态制成一种“清洁剂”，清洁日常生活中的各个物体，碗、洗衣服槽、 凳子等等，口红的红色难以掉色，即便洗掉了还是有残留在物体上，让不可见的事物变 成可见。
The lipstick is ground into a liquid state to make a "cleaner" to clean various objects in daily life, such as bowls, laundry sinks, stools, etc. The red color of the lipstick is difficult to fade, and even if it is washed away, it still remains on the object, making the invisible things visible.
小心有“痰”
Beware of "sputum”
2021
这个行为是我用普通的皮鞋(鞋印上有黑色木刻颜料)，每走一步，手里拿着热熔胶棒枪在地上滴一个形状，地板上的脚印变成黑色，鞋底和胶水打到我无法挣扎，我脱下鞋子，行为完成。
This behavior is that I use ordinary leather shoes (the shoe print is covered with black woodcut pigment), and hold a hot glue stick gun in my hand to drip a shape on the ground every step, and the footprints become black on the floor, the sole and the glue fight until I can't struggle, I take off the shoes, and the behavior is complete.”
她的物证开示
The evidence disclosure of female
2021
在自古以来的父系社会传统以及男女生理差异所造就的社会关系下，构造了女性所承担的难以调和的性暴力问题。呈现在视频中的“我”只是群体中狭小的映射，是承载者也是代入者， 绘画是物证，物件承载着女性受害肉体和精神挣扎的结果;当“我”在祈祷时，在面对存在 的病态时，受害者们同样正在为自身辩解，锋利的情感表达在“我”所制造的共识中摇晃， 在失控的边缘与她们共情;当“我”成为她们之后，我们无法辩白申诉，唯借肉体实验并试探着，捶打着，直到平息心中的灼热。女性在遭受苦难之后，看似是有位置的“正常人”， 实则身份是被分离的、互相矛盾的、只是客体，还被切割成几块，其中能得到的利益也只是一种许诺。这种发生过且无法抵抗的象征行为之间所导致的碎裂，让她们始终无法连贯自己无意识的身体想象，是对我们所生活的复杂社会关系的一个挥之不去的提醒。 所以女性带着那些符号继续生活下去，在黑与白之间的灰色空间求索，无法预言和定义的结果都将被延续...
Under the patriarchal social tradition and the social relationship created by the physiological differences between men and women since ancient times, the sexual violence problem that women bear is difficult to reconcile. The "I" presented in the video is only a narrow reflection of the group, the bearer and the substitute.
The painting is the material evidence, and the object bears the result of the physical and mental struggle of the female victim. When "I" is praying, in the face of the pathological existence, the victims are also justifying themselves, sharp emotional expression in the consensus created by "I" shakes, empathizing with them on the verge of losing control; When "I" become them, we cannot plead, but experiment with the flesh and try and beat until the burning in our hearts is calmed. After suffering, women seem to be "normal people" with positions, but in fact, their identities are separated, contradictory, just objects, and are cut into several pieces, in which the benefits can be just a promise.
The resulting fragmentation between these past and irresistible symbolic acts leaves them unable to connect their unconscious bodily imaginations, a lingering reminder of the complex social relationships in which we live.So women carry on living with those symbols, searching in the gray space between black and white, and the results that cannot be predicted and defined will continue...
、
Expending
我创作于温州市瓯海区山根艺术小村，主题是物质消耗，将概念中“从无到有”转换到摸得到的物质转换，世界时刻处于增熵减熵的过程之中，抽烟的过程是消耗，同时吐出的二氧化碳则是一种在肺中过滤过的转换物，在此作品中，我想探讨一种生命一切物质循环问题，此空间像一种巨大的生态培养皿，量子脉动构成了生命的一切。
I was created in Shanen Art Village, Ouhai District, Wenzhou City, the theme is material consumption, the concept of "from nothing to something" to the touch of the material conversion, the world is always in the process of increasing entropy and decreasing entropy, the process of smoking is consumption, while the carbon dioxide emitted is a filter in the lungs of the conversion, in this work, I want to explore a life of all the material cycle. This space is like a kind of giant ecological petri dish, and quantum pulsations make up everything that life is.